Why collect Russian stage designs? Why write about them? These questions are not rhetorical or idly academic. They have real historical, intellectual, and commercial relevance. Answers may vary, but surely a primary response must be that, quite simply, Russian stage designs are immensely pleasing to the eye. They vibrate, and scintillate with colour, texture and movement.
Furthermore, through their daring inventions, Russian artists of the first thirty years of the 20th century transformed, profoundly and permanently, our perception of stage design - and hence of the theatre. They belonged to an extraordinarily creative generation of impresarios, dancers, actors, patrons, and critics who inspired or at least made a major contribution to the international renaissance of the art of the stage, and in particular areas, e.g. the teaching and performing of ballet, their influence is still present today.
Furthermore, through their daring inventions, Russian artists of the first thirty years of the 20th century transformed, profoundly and permanently, our perception of stage design - and hence of the theatre. They belonged to an extraordinarily creative generation of impresarios, dancers, actors, patrons, and critics who inspired or at least made a major contribution to the international renaissance of the art of the stage, and in particular areas, e.g. the teaching and performing of ballet, their influence is still present today.
Свойства
- Автор
- John E. Bowlt, Nina D. Lobanov-Rostovsky, Nikita D. Lobanov-Rostovsky
- Бумага
- Мелованная
- Вес (гр.)
- 3
- Год издания
- 2013
- Издательство
- ACC
- Иллюстрации
- Цветные и ч/б иллюстрации
- Количество страниц
- 504
- Переплет
- Твердый переплет
- Тираж
- 1000
- Формат (мм.)
- 30,8 x 23,8 x 4,4
- Язык
- Английский
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